Mollie Burkhart and Lizzie Q’s mother–daughter relationship
Killers of the Flower MoonMollie Burkhart and Lizzie’s mother–daughter relationship is documented most consequentially through the inheritance that connected their lives to a widening pattern of violence. After Anna Brown was killed, her estate passed largely to Lizzie; Lizzie’s will then directed most of her headright to her surviving daughters, Mollie and Rita Smith. The sequence made family succession both a means of preserving wealth and, as Tom White came to suspect, a map of who would be targeted next.
Family and Inheritance
Anna Brown, who was divorced and had no children, left nearly all her wealth to her mother, Lizzie. White’s later reconstruction of the killings gave that transfer a grim significance: killing Anna first ensured that her headright would pass to Lizzie rather than be divided among multiple heirs.
Lizzie’s will carried much of her headright onward to Mollie and Rita. In White’s analysis, Lizzie therefore became the next logical target after Anna, and the daughters’ inheritance drew the family’s property into the suspected plot. The evidence makes this succession clear, but gives less detail about the private, emotional texture of the mother–daughter relationship.
Guardianship and Control of Money
The inheritance passed through a system in which the family did not have full control of its own finances. The government had classified Lizzie and Anna as unable to manage their trust funds and required a white guardian to oversee their spending. Scott Mathis, owner of the Big Hill Trading Company, had long administered the financial affairs of both women. Under the guardianship system, authorization could extend to ordinary purchases, even toothpaste.
The wider rules made that imposed dependence racialized: officials commonly judged full-blooded Osage people incompetent on the basis of blood quantum, while mixed-blood people were less often assigned guardians. Congress scrutinized Osage spending, including a $319.05 butcher-shop bill charged by Lizzie before her death. The family’s inherited wealth was thus subject not only to the choices recorded in wills but also to administrators and institutions empowered to oversee how it could be used.
In 1921, Congress added restrictions on withdrawals from trust funds for Osage people who had guardians. Mollie, a full-blooded Osage woman, was among those restricted; her husband, Ernest Burkhart, was her guardian. The mother’s inheritance had helped direct wealth toward Mollie, but the daughter’s access to that wealth remained constrained by an outside system of financial control.
Inheritance as a Target in the Murder Plot
White connected the inheritance sequence to the deaths in Mollie’s family. After Lizzie, the next victims were Rita and her husband, Bill Smith. Their wills stipulated that if they died at the same time, much of Rita’s headright would pass to her surviving sister, Mollie. The bombing that killed them therefore had a specific consequence in White’s reconstruction: it could have concentrated more of the family’s wealth in Mollie’s hands.
The plan did not unfold exactly as intended. Bill survived Rita by several days, inherited much of her wealth, and then left it to one of his own relatives. Even so, White concluded that most of the family’s headrights had been funneled to Mollie, whose finances were controlled by Ernest. He suspected that William K. Hale had used his influence over his nephew to create an indirect route to the family’s assets. The evidence supports White’s investigative conclusion, not a claim that Lizzie’s will itself proves every participant’s intent.
The Relationship’s Historical Consequence
The story of Mollie and Lizzie’s relationship is therefore inseparable from the difference between inheritance on paper and control in practice. Lizzie’s will directed wealth to her daughters; guardianship rules and spending restrictions limited the women’s authority over their funds; and the deaths of Anna, Lizzie, Rita, and Bill altered who stood to inherit. For White, the chain of transfers transformed separate family losses into evidence of a coordinated design aimed at concentrating Osage wealth through Mollie.